About the Conference
Our hope is to cultivate scholarship that strengthens the academy and its teaching while creating opportunities for meaningful engagement with industry leaders.
Contemporary praise and worship has become a dominant tradition of Christian worship and music worldwide. Rooted in distinct historical streams of evangelicalism and Pentecostal-charismatic movements, it now exists in an industrially entangled network of production and practice.
The Conference on Contemporary Praise & Worship centers this phenomenon itself—rather than any single scholarly approach or method. Our aim is to create space for rigorous academic engagement and meaningful dialogue across disciplines, while fostering connections between scholars and industry leaders.
The conference will feature keynote addresses, panel conversations, and individual papers exploring contemporary praise and worship from diverse perspectives.
Key Details
Call for Proposals
We invite proposals for papers and panels that engage contemporary praise and worship from historical, theological, sociological, musical, cultural, or practical angles. Contributions that bridge academic research and industry practice are especially welcome.
Submission Options
Individual Papers : 20-minute presentations. Abstracts should be approximately 250 words.
Organized Panels : Three papers per panel, 75 minutes total. Panel abstracts should be a maximum of 350 words and include brief descriptions of each paper.
Only one proposal per person is allowed.
Event Details
Dates |
Milestone |
|---|---|
| Now | Proposal Submissions Open |
| March 13, 2026 | Proposal deadline |
| April 10, 2026 | Acceptance notifications begin |
| April 1, 2026 | Conference registration opens |
| July 28–29, 2026 | Conference |
Keynote Speaker

Melanie Ross
Associate Professor of Liturgical Studies, Yale Divinity School & Yale Institute of Sacred Music
Melanie Ross works at the intersection of ecumenical liturgical theology, North American evangelicalism, and the worship practices of contemporary congregations. Her first book, Evangelical vs. Liturgical? Defying a Dichotomy (2014) brings together historical analysis, systematic theology, and congregational fieldwork to argue that the common ground shared by evangelical and liturgical churches is much more important than the differences than divide them. Her second book, Evangelical Worship: An American Mosaic (2021) draws on extensive fieldwork in seven congregations to show how evangelical identity is formed through corporate worship practices.
A Henry Luce III Fellow in Theology, Ross has also received research grants from the Louisville Institute and the Calvin Institute of Christian Worship. Ross has written numerous chapters in edited volumes, and her work has been published in journals such as Worship, Studia Liturgica, and Pro Ecclesia, among others. She coedited, with Simon Jones, The Serious Business of Worship: Essays in Honour of Bryan D. Spinks (2012) and is coeditor of the Worship Foundations series (Baker Academic). Her greatest academic achievements are the successes of her current and former students.
Keynote Speaker

Kelsey Kramer McGinnis
Christianity Today, Lecturer at Grand View University in Des Moines
Kelsey Kramer McGinnis is a writer, journalist, and musicologist based in central Iowa. She holds a PhD from the University of Iowa.
Kelsey is the worship correspondent at Christianity Today, where she writes and reports on worship practices and trends, the music industry, and church culture. As a regular contributor to Christianity Today’s culture section, Kelsey contributes opinion pieces that comment on Christian media and evangelical culture more broadly. She is also a lecturer at Grand View University in Des Moines, where she teaches music, theology, and humanities courses.
Program Committee
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